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No hay artículos en el carroSpecial Deluxe Collector's Edition. Digitally remastered edition of the L.A. melodic hard rock band's 1988 album. Ratt's raise to fame and presumably fortune was meteoric. Kicking around Southern California in various forms since the mid 70's the band fully gelled in 1981, with the independent release of a well-received debut mini album, which quickly led to a coveted recording contract with label giant Atlantic Records. Their debut album Out Of The Cellar exploded out of the box ultimately reaching sales in excess of double platinum. It was a level of success that few had predicted, elevating the band to MTV regulars and selling out arena tours. But it was a level of achievement that was not increasing as further records saw the band maintaining rather than expanding their profile. By the time of this album (their fourth) interest was still high, but the stellar achievements of the past were becoming a fast fading memory. Reach For The Sky, originally released in late 1988 and produced in the main by Mike Stone (Journey, Queen and Whitesnake), found the band in familiar musical territory, a style based on big hooks, shout-it-out-loud vocals and razor sharp riffs. It was the sound of the times alright, and although performing well (attaining Platinum status) the band was feeling the strain of their work load. In fact it was the final album to feature guitarist Robbin Crosby who would leave due to much publicized personal problems.
Ree View
Comentado en los Estados Unidos el 5 de junio de 2020
Sort of like their second album, the first three songs on Reach for the Sky stood out the most for me for a while. City to City is a tough album opener that gets your interest and is followed by the catchy I Want a Woman. Third song Way Cool Jr. is one of Ratt's very best songs, with DeMartini's excellent bluesy intro/playing. What's it Gonna Be seems hidden near the end, but is likely the second best song on the album. Apparently, the band had to bring back producer Beau Hill to rescue putting the album together and thankfully he did. But it would be interesting to hear the rough mixes jettisoned producer Mike Stone had done, as DeMartini called them very exciting, and the album as released has a bit of a vanilla feel. Still, RFTS musically has a positive vibe and on repeated listens, it becomes more evident that it's a strong album from start to finish. It's more of a grower than the other albums in Ratt's first run, but aside from Out of the Cellar, easily their most consistent.
Robert Rousseau
Comentado en Canadá el 20 de septiembre de 2020
Great album.
Davide Mignani
Comentado en Italia el 3 de febrero de 2019
perfect thanks
カスタマー
Comentado en Japón el 30 de enero de 2019
デジタルマスタリングで音は良いです。アルバム一枚をとうして聞く事ができる最後のアルバムかな。
Jorge Tovar
Comentado en México el 10 de noviembre de 2016
Un disco en el cual hay que sibirle el volumen para disfrutar de los riffs y armonías de las guitarras, ya con madurez en grupo y buenas letras. Un disco bien hecho. Aunque sobresalen dos canciones populares como I want a woman y Way cool Jr. básicamente todas las canciones son buenas.
Kelvin Martin
Comentado en el Reino Unido el 11 de abril de 2015
Excellent
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